Nestled in the Alps along the Swiss border, Lombardia’s Valtellina valley has a winemaking history that dates back more than 2,000 years. Chiavennasca (the local term for nebbiolo) is the star of Valtellina’s show, where steep, terraced vineyards and a distinct subalpine climate (loads of sunshine tempered by cool currents) produce some of Italy’s most unforgettable wines.

The terraced vineyards of ArPePe

The Pelizzatti family has been making chiavennasca in this locale for more than 150 years. However, that legacy was in serious jeopardy when, in 1973, Guido Pelizzatti fell ill with cancer. As a result, his four children decided (some reluctantly, some not) to sell the family brand, with disheartening results.

“The brand was destroyed by overproduction,” Guido’s granddaughter Isabella told Wine Spectator a few years ago. “It became a crap wine.”

It was Guido’s son Arturo Pelizzatti Perego who decided to take action and restore the family name. In 1984, he founded a new winery that he named for himself–ArPePe–and eventually bought back the old family cellars. (A sort of “revenge” against his siblings, Isabella called it.) Not only did he help revive the family legacy, he also was instrumental in Valtellina’s renaissance that continues to this day.

When Arturo himself succumbed to cancer in 2004, his daughter, Isabella, and her two brothers took the reins, and today, ArPePe remains the benchmark producer for these singular Alpine nebbiolos. Traditionalists to the end, ArPePe makes wines that prize grace, elegance, finesse, and complexity over oak-driven power. Their wines, crafted with meticulous restraint, bob and weave and dance and jab–no need for a knockout punch when you have that kind of style and sophistication.

The bulk of ArPePe’s grapes come from family-owned vineyards in Valtellina’s prestigious Grumello and Sassella zones. Grumello, where the winery is built directly into the slopes, features a bit more clay in the soil, accentuating the richer, fruitier notes of nebbiolo; south-facing Sassella has shallower and more craggy terrain, highlighting the grape’s minerality.

We are quite fortunate to be carrying five different ArPePe bottlings at Paul Marcus Wines, all boasting 100 percent chiavennasca (nebbiolo) grapes. The 2016 Rosso di Valtellina utilizes grapes from both Grumello and Sassella, and it packs a lot of depth and character into its light and lively frame. It’s rather impressive for an “entry-level” wine.

Moving up the ladder we have two Valtellina Superiore offerings: the 2015 Grumello Rocca de Piro and the 2015 Sassella Stella Retica. These cuvees get their grapes from 50-100-year-old vines and undergo long maceration periods before spending 18 months in large barrels and at least two years in bottle prior to release.

Finally, we have two Valtellina Superiore Riservas: the 2009 Grumello Buon Consiglio and the 2009 Sassella Rocce Rosse. These Riservas spend close to five years in large casks before mellowing in bottle for another three years. Herbaceous, earthy, flinty, and floral, these vibrant, red-fruited gems deliver the entire package and show beyond a doubt how dynamic and multilayered Alpine nebbiolo can be.

Nearly two decades after Arturo’s passing, his motto still lives on: “il giusto tempo del nebbiolo,” which means “the right time for nebbiolo” and is indicative of his family’s passion for (and patience with) their beloved chiavennasca. For more information about the extraordinary, hard-to-find wines of ArPePe, please visit us at the shop.

If you don’t know Clos du Tue-Bœuf, you should. This esteemed Loire Valley estate, run by brothers Jean-Marie and Thierry Puzelat, is named in honor of the lieu-dit “Le Tue-Bœuf,” first mentioned as far back as the Middle Ages. The wines produced from that specific site were favored by nobles such as King Henry III of England and later the French King Francis I.

Amazingly enough, the Puzelat family itself can trace its roots in this area all the way back to the 15th century! Today, the Puzelat brothers show their respect for these ancestral lands by farming organically and crafting wines with zero oenological additions. That being said, these “natural” winemakers produce wines that are unbelievably clean–a true testament to their knowledge of the terroir and their know-how in the cellar.

Now part of the Cheverny AOC, the Tue-Bœuf lieu-dit (named vineyard) sits on the clay and flint soils that make up the south- and southeast-facing hillsides overlooking the Beuvron (a tributary of the Loire). The Puzelats augment their 10 hectares of estate fruit with grapes from the neighboring Touraine appellation. At Paul Marcus Wines, we’re currently featuring a number of white wines from Clos du Tue-Bœuf:

2018 Le Brin de Chèvre
Made from the obscure menu pineau variety–which almost disappeared due to the difficulty it has ripening–this chenin-like wine offers a bouquet of similarly obscure tropical fruits. Star fruit, dragon fruit, green papaya, and kumquat rind all make a debut here, and the glossy feel of the wine on the palate is reminiscent of quality Vouvray.

 

 

 

2018 Cheverny Blanc ‘Frileuse’
The name “Frileuse” means “little cold one” and references the frost-prone vineyard that sits at the very top of the Puzelat estate. The cuvée is made from a third each of fié gris (a historical name for a softer, pink-skinned clone of sauvignon), chardonnay, and sauvignon blanc. Expect Anjou pear, sweet meadow grass, and minerals. Open this one a couple hours before you serve it, so it can relax and show you all its colors.

 

 

 

2018 Romorantin ‘Frileuse’
Made from vines in the chilly Frileuse site that are as much as 110 years old, this is a dense and powerful wine with notes of almond, fennel, and orchard fruit. It will reward both those who wish to cellar it and those of us who have a little less patience–but please be kind, and decant it.

 

 

 

 

For a taste of this producer’s red wines, stop in to pick up either the 2019 ‘La Guerrerie,’ a blend of two-thirds côt and one-third gamay, or the 2019 ‘La Butte,’ a single-varietal gamay from 50-year-old Touraine vines.

I’ve always had a particular fondness for red Burgundy. At their best, these wines proudly display their terroir, that distinct sense of place; they boast a balanced mouth feel and are structured yet elegant. At Paul Marcus Wines, we have always taken pride in our extensive selection of Burgundy, and that remains true to this day.

Lately, I’ve been rather impressed by a couple of noteworthy producers who happen to lie at opposite ends of the Côte d’Or–and opposite sides of the price spectrum: Domaine Duroché in the far north of the Côte de Nuits and Domaine Maurice Charleux et Fils at the southern tip of the Côte de Beaune.

Photo of Domaine Duroché via Polaner Selections

Whenever you hear anything about Domaine Duroché, you are bound to hear the words “rising star.” Pierre Duroché joined the domaine in 2003 and took the reins of the operation two years later. Since then, he has turned the domaine around, bringing a new energy and focus to this esteemed Gevrey-Chambertin house that’s been around since 1933.

Duroché owns more than eight hectares of vineyard holdings in the Gevrey appellation. As you would expect, the utmost attention is given to the health of the soil. The grapes are rigorously sorted both in the vineyard and the cellar. Everything is de-stemmed, and the wines never see more than 15 percent new oak.

While Duroché’s top-level cuvees sell for upward of $500, their village-level wine still represents somewhat of a bargain. The 2017 Domaine Duroché Gevrey-Chambertin ($78) has understated power and appealing elegance, revealing the earthy, mineral Gevrey flavors that are so typical of the terroir. Though it will be sure to age gracefully, it can also be enjoyed young.

About an hour south of Gevrey–just to the southwest of Santenay, but still in the Côte de Beaune–are the three small villages of Maranges. The hillside commune of Dezize-lès-Maranges is home to the wines of Domaine Charleux.

Many of you are already familiar with these value-driven Burgundies; they have been a staple in our shop for many vintages, and are perhaps the most consistent Burgundies available in that price range. In general, the wines of Maranges are medium-bodied with just enough acidity to make them appropriate for near-term aging. The soils are clay and limestone, and most of the vineyard exposure is south to southwest.

The 2018 Maranges Vieilles Vignes ($29) is produced from vines that are more than 80 years old and offers admirable concentration and length. Somewhat dark-fruited, it exemplifies the liveliness of the 2018 vintage.
From the warmer 2017 vintage comes the 1er Cru Maranges ‘Les Clos Roussots’ ($33). The vineyards here have south and southeast exposure and are mostly blue-clay soils with some limestone. This red-fruited wine is forward and easy-drinking, with noticeable complexity in the raspberry-like finish.

We also have a few bottles left of the 2016 1er Cru ‘Le Clos des Rois’ ($30). These south- and southwest-facing vineyards contain a greater proportion of limestone, which gives this bottle ample structure and complexity. This wine has red-fruit aromas along with floral and spicy notes–simply delicious.

Of course, Paul Marcus Wines has dozens more notable Burgundy producers from which to choose. Let us help you explore the many delights of Burgundy. See you at the shop.

– Paul Marcus

The fertile French terrain situated at the confluence of the Loire and the Vienne has been producing wine for hundreds of years. Established in 1937, the Chinon AOC lies on the south bank of the Loire, bisected by the Vienne in the westernmost reaches of Touraine. Chinon is almost exclusively the province of cabernet franc, a grape that seems to thrive in the region’s terroir.

Two offerings from Domaine Olga Raffault

Domaine Olga Raffault is perched on the bucolic triangle of land known as the Véron, between the two rivers just east of where they converge. The Raffault family has been making wine in Chinon for five generations. Tragedy struck in 1947 when Olga’s husband and partner, Pierre, died suddenly, leaving Olga and her two children to fend for themselves.

According to family legend, it was one of the estate’s employees, Ernest Zenninger, who vowed to the dying Pierre he’d look after his family. A repentant former German soldier, Zenninger was grateful for the kindness the Raffaults had shown him and would from that point on dedicate his life to the family business. Zenninger became the estate’s winemaker, mentoring Olga’s son Jean along the way, and together Jean and Ernest would help solidify Olga Raffault’s status as a Loire Valley legend.

Image sourced from olga-raffault.com

Today, the venerable house is operated by Olga’s granddaughter Sylvie and her husband, Eric de la Vigerie, with able assistance from their son, Arnaud. They have recently converted to organic farming in their vineyards, where they pick all the grapes by hand, using native yeasts for fermentation. Working with vines in some of Chinon’s most desirable terrain, Domaine Olga Raffault remains one of the appellation’s benchmark producers.

Raffault’s flagship bottling is the Les Picasses cuvee, 100 percent cabernet franc from a south-facing slope on the north bank of the Vienne. The vines are more than 50 years old and feed off a mixture of alluvial clay and chalky limestone. After fermentation in stainless steel, it’s aged for roughly 18 months in relatively large barrels and then aged in tank and bottle for a few more years before release.

The resulting wine is incredibly balanced and complex–ample-bodied, rich with dark fruit and plush tannins, earthy but with plenty of acidity and a mineral edge. Think cassoulet, braised oxtails, roasted lamb, or similarly robust fare. Next time you’re considering a Bordeaux, reach for this instead. At less than $40 a bottle, Raffault’s Les Picasses is still one of the Loire’s great value plays.

I wrote earlier that Chinon is almost exclusively the province of cabernet franc, and while that’s true, there is a negligible amount of chenin blanc planted there. Thankfully, one of Raffault’s 24 hectares of vineyards is dedicated to chenin, the plot of land that produces the wonderful Champ-Chenin cuvee.

In its youth, this wine definitely plays hard to get; there’s just a tantalizing hint of the pome-fruit fleshiness that has yet to fully emerge. But you can tell it’s coming. Even with the fruit still somewhat subdued, there’s enough depth, vitality, and sophistication to satisfy even the most impatient among us. No malo or wood here, just some lees-aging to give it a bit of texture. Cellar-worthy, indeed.

Both the 2014 Les Picasses and the 2018 Champ-Chenin are currently available at Paul Marcus Wines. They are drinking beautifully now, but their best years are still ahead of them. If you’re interested in Chinon wines, you should probably get to know Domaine Olga Raffault.

Image from Madson Wines

It’s not impossible to find California wine made with grapes grown entirely by meticulous, labor-intensive organic farming. But, being California, the additional labor of eliminating weeds and pests without recourse to the toxic stuff–of hand harvesting and all the rest of it–doesn’t come cheaply.

To have that organic fruit come in so clean that no additions (of yeasts, enzymes to boost the yeast, or acid corrections) are necessary, is certainly the ideal, yet isn’t common. Then to have the winemaking restraint not to over-extract and over-oak, but to simply trust your fruit to show beautifully–that’s less common still. (Why is restraint uncommon? Because nothing guarantees your wine will sell like a high score in certain magazines, and high scores still accrue to pumped-up wines.)

So, when we find organic, natural wines that are handmade with great care, that are clean and delicious and expressive, and (drum roll, please) do not break the bank, we get excited. Madson Wines is all that. They’re a newly established micro-sized winery from nearby Santa Cruz making single-vineyard pinot noir, syrah, and chardonnay. We’ve got both their reds, and they’re well worth your attention.

Their unfined and unfiltered pinot noir comes from Toyon Vineyard on the southwestern slope of the Santa Cruz Mountains–a cool, cloudy site just three miles from the Pacific. Their syrah comes from the Ascona Vineyard, at the top of the Santa Cruz range, and undergoes whole-cluster fermentation before aging on the fine lees in neutral French oak for a year.

Both show lovely fruit for drinking now but have the structure and fine tannins to suggest they’ll take age very well. Come visit us at Paul Marcus Wines to learn more about this noteworthy up-and-coming producer.

Duncan Arnot Meyers and Nathan Lee Roberts grew up in Napa and have been friends since childhood, with a shared passion for bike-riding, food, drink, and travel. While trying flat out to have as much fun as possible, they are at the same time making some of the more amazingly unique, yet broadly encompassing wines–the benchmark of how these guys operate.

Arnot-Roberts, their joint venture founded close to 20 years ago, showcases their dedication to this craft, and it’s one of the more inspiring processes I’ve witnessed. I had the privilege of being their harvest intern and assistant for three harvests (2012-2014), immersing myself in their lives for the most intense but gratifying months of the year.

The winery focuses on cool (if not very cold) microclimates for their fruit sources, as retaining acidity is one of the key elements to the freshness and lift in their wines. They are hyper focused on “nailing the pick,” as Duncan would often say, because of the importance of capturing the balance of sugars, acids, and flavors to set a proper foundation for the fermentation process. They also incorporate a number of old-world techniques, like whole-cluster fermentations for all reds (only about one-third whole cluster for their cabernet sauvignons), very little use of new wood (only some in the cabernets), and natural-yeast fermentations. Chardonnays are fermented in stainless and aged in used oak.

Duncan and Nathan have always had a knack for finding some of the smaller, more interesting vineyard sites, ones that seem to have vast, untapped potential. If you look at their vineyard portfolio, it becomes apparent that they know where to look for killer fruit.

Their true passion lies in syrah; their Clary Ranch syrah just might be my favorite wine they make. Heralding from west of Petaluma and a couple miles from the Pacific Ocean, this vineyard is arguably the coldest syrah site in the country. It could easily be slipped into a blind tasting of Saint Josephs from the Northern Rhone and hold its own.

At Paul Marcus Wines, we are fortunate to have more than a dozen of their low-production, hard-to-find offerings, including the Clary Ranch syrah, three different expressions of chardonnay, and a couple of stellar pinot noirs. We also feature two brilliant versions of their coveted cabernet: Fellom Ranch, from the esteemed Montebello Ridge in the Santa Cruz Mountains, and Montecillo, from high above the Sonoma Valley.

The casual demeanor of these two friends belies their calculated decision-making and vastly connected community network of likeminded winemaking peers. The importance they place on family and friends is contagious as well. They’ve been known to throw some pretty decent open house parties, and their harvest lunches don’t suck either. (Actually, the “lunch plan” was sometimes the absolute most important task of the harvest day.) They understand the value of eating well, and of taking a break with your hard-toiling co-workers–to reflect and contemplate, to share insights and humor, to uplift the soul!

Carles Alonso is the kind of guy a lot of winemakers wish they were. Forgoing a career in finance and banking, he made a huge life change. Starting in 1979, Carles opted to pursue a more purist lifestyle; he built a stone house into the mountainside amid the tiny Catalunya hamlet of Els Vilars, in the shadow of the Pyrenees, not too far from the French border.

For his unique Carriel dels Vilars selections, Carles ferments in aerospace-grade, ceramic-tile-lined cement vats to give himself more peace of mind while working without SO2. He crafts wines of the utmost purity from 2.5 hectares, grown on slate, of a co-fermented field blend based on garnatxa and syrah, with a little cabernet sauvignon and carinyena to round it out.

Élevage happens in stainless steel, as Carles doesn’t believe his wine needs to touch wood at any point in its lifespan. This is also why he bottles in used Freixenet Cava bottles with crown caps; he doesn’t want anything to do with cork either. His wines are definitely fruit-forward–somewhat rich and high in alcohol–yet they offer a licorice-tinged, herbal complexity that draws you back for more. For me, this wine would shine on a stormy night, the colder the better, with a spicy lamb braise.

It wasn’t very long ago that Carles struggled to sell his product–nobody really knew anything about him or his wines. Now, he’s become “famous,” thanks to his nonconformist ways and high-quality results. Unfortunately, he doesn’t have any back vintages to sell. This is not surprising, considering how little wine he makes each year from those low-lying, low-yielding old vines that are struggling to produce fruit from what little slate dust surrounds them.

Carles is the only year-round resident among the roughly 10 different domiciles within the town limits. He also didn’t have electricity to work with until 2012! Crazy, right? This is the kind of guy I would love to have dinner with. He seems likely to have a memorable story or two, and a few opinions to share as well. He is truly an iconoclast without pretension: forging his own path, making wines how he wants to, and living out his ideals in brazen fashion. That mustache has some clout, too!

These are the kinds of wines that get me excited about being in the wine business, even if they aren’t exactly the grapes I normally drink, or the style of wine that I usually gravitate toward. I can’t help but be stoked on people like Carles Alonso who are crafting natural products from the earth. It requires an enormous amount of passion, skill, and perseverance to succeed year in and year out. This renegade winemaker boasts all of these qualities. Visit us at Paul Marcus Wines, and discover him for yourself.

Bramaterra Riserva Vintages from Tenuta Monolo

The Producer

I recently had the opportunity to taste several older vintages of Bramaterra Riservas from Umberto Dilodi of Tenuta Monolo, thanks to PortoVino importers. The tasting was held at the Kebabery in Oakland, and sure enough, Kebabs and aged Bramaterra Riservas are a stellar match!

The DOC of Bramaterra borders Gattinara and Lessona in Alto Piemonte. This particular DOC has a unique terroir in that it is less exposed to wind, coming predominantly from the north, and is composed of both volcanic and marine soils. Spanna (Nebbiolo), Vespolina, Croatina, and Uva Rara grapes are typically grown in the region. Since the climate here is cooler, the tannins of Spanna generally do not ripen to the same extent as its neighbors, and so instead it is often blended with the other grapes grown. As a result, the wines are known for their freshness, as well as balance and power.

More than likely though, Umberto’s wines haven’t shown up yet on your or other Piedmont enthusiasts radars, since they were never released to the market. In fact, Umberto made the decision to not sell his wines in order to avoid a conflict of interest while he was an integral part of elevating the region to its DOC status in the late 1970’s.  Unfortunately, with Umberto’s passing, the winery operations came to an end. However, PortoVino has brought new life back to the winery by acquiring the entire cellar, and provides further insight into the winery below:

Origins

The Tenuta Monolo cantina was once part of a villa that contained over 40,000 volumes of manuscripts and books on philosophy, classical music (especially Baroque and Renaissance), and art. Surrounded by three-quarters of a hectare of vineyards, the villa was home to the eccentric musician Umberto Gilodi and his life-long friend, cellar-master, painter and engraver Orlando Cremonini.The two men lived a simple life. All farming was organic; Umberto Gilodi was a meticulous note-taker, and we have his documents that attest to not using pesticides or herbicides in a time when most in that area were. Fermentation was in large wooden botti with native yeasts. The vineyards, and so too probably the wines, were 60% Nebbiolo, 20% Croatina, 10% Vespolina, and 10% Uva Rara. The vineyard and cellar were followed by the famous Italian wine professor from Torino’s Enology School, Professor Italo Eynard.”

The Wines

Bramaterra ReservaThese wines were properly cellared in Rome after Umberto’s passing.  Paul Marcus Wines is excited to be able to share the following stellar and rare line-up of aged Bramaterra with you:

2004 Bramaterra Riserva $49.00 (In-stock)
Supple and gentle on the palate, with a nice lift of acidity and good length. Great combination of tertiary aromas, including white pepper, cherry, and roses. Perfect to drink now.

2001 Bramaterra Riserva $70.00 (In-Stock)
More structure and tannin, and a bit more rustic in character, with predominately meaty, spicy, and floral notes.

1996 Bramaterra Riserva $66.00 (In-Stock)
My favorite based on its high acidity, fine tannins, and detailed spice notes. I particularly enjoyed its energy and precision.

1991 Bramaterra Riserva $66.00 (2018 Arrival)
The earthiest of the bunch, showing less floral character and more dusty mushroom and savory tomato notes. Also with less acidity than the ’96 so the wine is lovely and gentle on the palate. Do expect to find sediment, and as such we highly recommend decanting this wine.

1990 Bramaterra Riserva $56.00 (2018 Arrival)
Moving towards tertiary aromas and flavors. You will find rustic woodsy, wool, and meaty character on the nose, in addition to salty flavors. This wine expresses the vintage, which on the whole was a bit warmer, with a heartier and tannic palate. This would be outstanding paired with grilled steak or kebabs.

1985 Bramaterra Riserva $85.00 (In-Stock and Limited Quantities)
Absolutely lovely, lighter-bodied, and etherial. Quite simply a pleasure to drink.

The Beginning of Edmunds St. John

In the early 1980s, Steve Edmunds was a mild-mannered postman, delivering mail in the Bay Area. But his friends knew that something was wrong. Steve’s dissatisfaction with the U.S. Postal Service was evident, and his wife, psychologist Cornelia St. John, suggested that he find a new line of work to maintain his sanity. Then, in 1985, it happened – that crazy, rash moment of terrifying impulsiveness that we all fear, especially in a loved one –Steve started a winery.

Steve’s version of going postal wasn’t entirely unexpected; he had long been a home brewer and winemaker, and before his stint with the U.S.P.S., he worked in the retail end of the wine trade. Over the years, a chorus of his friends, led by Cornelia, had encouraged him to make wine commercially. So, with Cornelia’s blessing and support, Steve founded Edmunds St. John winery.

Steve was one of the first California winemakers to focus on Rhône grape varietals like Syrah and Mourvèdre. He was one of the earliest and remains one of the most vocal proponents of terroir in California–of making wines that express as vividly as possible the place where the grapes are grown. In March and April, the crew at Paul Marcus Wines had the pleasure of getting together with Steve over meals to discuss his winemaking and enjoy many of his currently released wines.

Wine Made For Food

The fun began when Paul Courtright and I joined Steve for lunch at Grasshopper on College Avenue. When we asked Steve how he did things differently than many other California winemakers, he responded: “It’s about balance. The wine shouldn’t push the food off the table. Wine should invite you to eat – and to drink more!”

And so we did. Steve popped the corks on his 2000 Pinc Froid (a rosé made from Nebbiolo grapes) and 2001 Los Robles Viejos White (a blend of Rhône white varietals – Roussanne, Viogner, and Marsanne – all grown in the Rozet Vineyard near Paso Robles) as our waiter delivered fried calamari and peanut chicken salad.

Steve explained that the first thing he did when he decided to make wine commercially was to taste a lot of wine to find out what exactly he wanted to make. During this oenological odyssey, he found that the wines he kept coming back to were from southeastern France and northern Italy. At the same time, he read some articles about carbonic maceration, a traditional southern French winemaking technique that can yield wines with more distinctive aromas and delicate flavors. He also read an article by Robert Mayberry, author of the book Wines of the Rhône Valley: A Guide to Origins. Mayberry suggested that someone find some old-vine Mourvèdre, Carignan, and Grenache in California and make a Côtes-du-Rhône style wine using carbonic maceration and neutral (i.e., not oaky) aging vessels.

An “Aha” Moment

These enticing but discrete hints came together for Steve when he tasted a 1983 Qupé Syrah during a meal at Chez Panisse. (In those days, California Syrah was about as common as vineyard-designated California Cabernet.) Steve describes this as his “aha” moment: “I realized that someone could make good California wine from Rhône varietals. There were too many signs from the universe that I should do this.”

As our 12-spice pork ribs arrived, Steve paused to open his 2001 California Syrah and then continued his saga. Syrah was to play a large part in Steve’s future, and he, along with others like Bob Lindquist of Qupé and John Alban of Alban Vineyards, helped put Syrah on the map in California. But Steve was at least as captivated by Mourvèdre, the primary varietal in Bandol rouge and an important supporting player in Châteauneuf-du-Pape and other southern Rhône reds. The trick back in the mid 1980s was finding any Mourvèdre (or Mataro, as it was known to California grape growers).

Choosing a Vineyard

After much fruitless searching, in 1986 Steve discovered the Brandlin Ranch on Mt. Veeder above Napa Valley. Richard and Chester Brandlin were growing old-fashioned grape varietals using old-fashioned techniques that respected the soil and the plants. Steve snapped up the small amount of Mourvèdre that they were growing and used the grapes to make the best wine of his second vintage, in 1986. As Steve proudly points out, François Peyraud of the famous Bandol producer Domaine Tempier said of this wine when he tasted it, “la terre parle” (“the earth speaks”).

Since then, Steve has reprised this combination of serendipitous grape sourcing and skillful, minimalist winemaking many times. We asked him how he thinks about the process of making a great bottle of wine.

Steps To Producing Great Wine

First is the place – the fruit source. Steve described his job as “finding places that create distinctive grapes”. He’s concerned about the appropriateness of the grape varietal to the site, of course, but he’s looking for more than mere appropriateness; he wants sites that demonstrate a particular, unique character. Steve has managed repeatedly to unearth great, distinctive vineyards that are farmed by people who really know and care about their land.

Second is picking fruit at optimum ripeness rather than hyper-ripeness. As Steve said of winegrowing in the balmy California climate, “you’ve got power; you don’t need to do anything to generate power”. In fact, you need to ensure that you don’t let this natural advantage turn into a freakish caricature. Steve works with his growers throughout the season, tastes the grapes every week, and then leads the harvesting when he determines that the grapes have fully developed their flavors without losing their fresh acidity.

Letting Nature Take The Reigns

And finally, Steve says his job in the winery is to “get out of the way”. In other words, he ferments the grapes and lets them turn themselves into wine with as little additional manipulation as possible. His youngest barrels are 13 years old, so there’s no oak obscuring the distinctiveness of his grapes. He eschews high-tech gear and instead uses old-world winemaking techniques that preserve and accentuate terroir.

The most exciting manifestation of all of this theory at the moment is in Steve’s new Los Robles Viejos wines from the Rozet vineyard west of Paso Robles, in San Luis Obispo County. In addition to the white wine mentioned above, there’s Los Robles Viejos Red – a blend of Mourvèdre, Syrah, Grenache, and Counoise from the Rozet vineyard. Some of the grapes also find their way into his ever-popular Rocks and Gravel – Grenache, Mourvèdre, and Syrah blended from vineyards in Mendocino, El Dorado, and San Luis Obispo Counties. Steve is particularly enthusiastic about the Mourvèdre from Rozet: “We’ve harvested grapes for three years now, and each year the Mourvèdre is the best. It makes a wine that has a distinct identity.”

The Châteauneuf challenge

Although Steve strives to make wines that speak of where they’re grown – which is to say, specific vineyards in California – his models are the wines of the northern and southern Rhône in France. While California wines have plenty of power and luscious fruitiness, many of them lack the specificity, subtlety, complexity, and food-friendliness of their European models. In a friendly challenge to the two best appellations in the Southern Rhône, Steve put his Rocks and Gravel and Los Robles Viejos Red up against several excellent wines from Gigondas and Châteauneuf-du-Pape. Most of the staff of Paul Marcus Wines got together with Steve for a tasting and dinner at my house in Oakland. We were joined by Keven Clancy, the representative from Estate Wines Ltd. who sells us Edmunds St. John wines, and Patrick Comiskey, Senior Editor of Wine and Spirits magazine and columnist for the San Francisco Chronicle’s wine section.

All of us knew that we were tasting 2000 vintage Edmunds St. John, Gigondas, and Châteauneuf-du-Pape wines, but we didn’t know the specific identities of the wines, and we carried out the tasting blind (that is, the bottles were covered up until after we’d tasted and discussed them). The “Gigondas flight” of wines comprised the Edmunds St. John Rocks and Gravel, Domaine de Font-Sane Gigondas, and Château du Trignon Gigondas. The “Châteauneuf flight” contained four wines: Edmunds St. John Los Robles Viejos Red and Châteauneuf-du-Pape from Clos des Papes, Vieux Télégraphe, and Domaine Pierre Usseglio & Fils.

Testing The Wines

In both flights, Steve’s wines showed themselves as worthy peers of their French brethren. Neither of his wines stuck out as being obviously Californian – our guesses about which wine in each flight came from California frequently were wrong. Nor did Steve’s wines seem simpler or less food-friendly than the others. (After the analytical phase of the tasting, we tucked into a big pile of grilled meats and sausages.)

As I look back over some of our notes from that evening, my central impression is that all of the wines sat comfortably at the table as peers. We quickly moved beyond the “spot the California wine” game to more interesting questions of how each wine distinguished itself in terms of floral, animal, spicy, sappy, tannic, and acidic qualities. All of these were wines worth drinking and cellaring, wines that invited us to eat (and to drink more!), wines that made our evening together a finer one.

But wait, there’s more!

Steve is a man of many talents. Besides making great wine, he’s an accomplished singer-songwriter and an inspired writer. To verify the latter claim, visit edmundsstjohn.com and check out any of his newsletters. Then subscribe to the organolepticians, which grants you the privilege of receiving his future newsletters via e-mail. You’ll hear about, among other useful things, the annual Edmunds St. John Post-Harvest, Pre-Holiday shindig in December, which is always fun and tasty. The Edmunds St. John Web site also describes Steve’s CD Lonesome on the Ground, which we have available for sale in the store.

Note: Steve is also the the object of an article by Patrick Comiskey that was published in the San Francisco Chronicle’s wine section on Thursday June 12, 2003.

PMW California Favorites

2000 Pinc Froid ($10.99)

This wine is almost too much fun. It’s rosé from Nebbiolo grapes, in the style of a northern Italian rosato from Piemonte. The wine is full-flavored, minerally, dry, and just a touch smoky. It’s a great aperitif and sit-out-on-the-deck-with-friends wine. It adds an increment of pleasure to any barbecue. And it goes perfectly with 1970s album-length rock songs.

2001 California Syrah ($18)

Here’s one of the great bargains in California wine – a sophisticated but friendly Syrah for under twenty bucks. It’s medium-bodied, supple, clean, and just fruity enough without being excessively grapey. Like all of Steve’s wines, the California Syrah plays well with a wide range of foods. We’ve enjoyed it with grilled meats and even not-too-sweet Asian dishes.

2000 Los Robles Viejos White and Red ($25 each)

If you want to know what terroir is about in California, then you’ll want to drink and cellar these Southern Rhône style wines from the Rozet Vineyard in San Luis Obispo County. And even if you don’t care about terroir, you’ll want to drink these wines because they’re just so damned delicious! Rich Roussane sings the main melody in the white wine, while meaty Mourvèdre forms the backbone of the red. It would be hard to find a better match than these wines for southern French cuisine and Mediterranean-inspired California dishes.

Sky Vineyards

1999 Zinfandel ($25)

Sky makes our favorite Zinfandels year in and year out. This is artisanal wine at its best. Winegrower Lore Olds and his daughter Maya tend their vines just below the crest of Mt. Veeder and make their wine by hand. Sky Zinfandel has plenty of lip-smackingly luscious fruit, but unlike a lot of other Zinfandels, this one is sophisticated, balanced, and a great complement to food. It also ages magnificently – we recently had the pleasure of drinking the 1989 and 1990 vintages up at Sky. So get a few bottles for now and a few more to stash in your basement or closet. You won’t regret it now or later.

Babcock

Brian Babcock’s 2001 Santa Barbara County Chardonnay ($16.50) is one unbelievable wine for the money. It’s one of our biggest sellers – not too oaky, but with plenty of richness and length on the palate. This is a “go to” wine, meaning that it’s a wine for anyone just starting out and a screaming deal for everyone.

Palmina

We don’t normally get excited about Italian-style wines made in California – the Italian originals usually are better wines and better values. But we are excited about the wines that we just started carrying from Palmina in Santa Barbara County. Steve Clifton, of Brewer-Clifton Chardonnay and Pinot Noir fame, is the owner and winemaker.

The 2002 Bianca ($21)

This is a blend of Traminer, Sauvignon Blanc, Malvasia, Tocai, and Pinot Grigio. Here’s Chad’s inimitable description: “Sumptuous honeyed notes revolving in perfect circles around further perfect circles of melon and fig. A spicy gasket of viscous cinnamon and nectarine all supported by vibrant acids and perfect balance! Wow. This is an intellectual’s entry back into the wonderful world of stuff. Wonderful stuff.”

The 2000 Nebbiolo ($32)

Coming from the Stolpman vineyard in the Santa Ynez Valley, this wine leans towards the floral side of Nebbiolo – violets, rose petals, cherries, and a little cedar – and displays that classic Nebbiolo combination of power and elegance. Serve it with braised or roasted meats or simply with a nice piece of aged Parmigiano Reggiano.