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I’ve always had a particular fondness for red Burgundy. At their best, these wines proudly display their terroir, that distinct sense of place; they boast a balanced mouth feel and are structured yet elegant. At Paul Marcus Wines, we have always taken pride in our extensive selection of Burgundy, and that remains true to this day.

Lately, I’ve been rather impressed by a couple of noteworthy producers who happen to lie at opposite ends of the Côte d’Or–and opposite sides of the price spectrum: Domaine Duroché in the far north of the Côte de Nuits and Domaine Maurice Charleux et Fils at the southern tip of the Côte de Beaune.

Photo of Domaine Duroché via Polaner Selections

Whenever you hear anything about Domaine Duroché, you are bound to hear the words “rising star.” Pierre Duroché joined the domaine in 2003 and took the reins of the operation two years later. Since then, he has turned the domaine around, bringing a new energy and focus to this esteemed Gevrey-Chambertin house that’s been around since 1933.

Duroché owns more than eight hectares of vineyard holdings in the Gevrey appellation. As you would expect, the utmost attention is given to the health of the soil. The grapes are rigorously sorted both in the vineyard and the cellar. Everything is de-stemmed, and the wines never see more than 15 percent new oak.

While Duroché’s top-level cuvees sell for upward of $500, their village-level wine still represents somewhat of a bargain. The 2017 Domaine Duroché Gevrey-Chambertin ($78) has understated power and appealing elegance, revealing the earthy, mineral Gevrey flavors that are so typical of the terroir. Though it will be sure to age gracefully, it can also be enjoyed young.

About an hour south of Gevrey–just to the southwest of Santenay, but still in the Côte de Beaune–are the three small villages of Maranges. The hillside commune of Dezize-lès-Maranges is home to the wines of Domaine Charleux.

Many of you are already familiar with these value-driven Burgundies; they have been a staple in our shop for many vintages, and are perhaps the most consistent Burgundies available in that price range. In general, the wines of Maranges are medium-bodied with just enough acidity to make them appropriate for near-term aging. The soils are clay and limestone, and most of the vineyard exposure is south to southwest.

The 2018 Maranges Vieilles Vignes ($29) is produced from vines that are more than 80 years old and offers admirable concentration and length. Somewhat dark-fruited, it exemplifies the liveliness of the 2018 vintage.
From the warmer 2017 vintage comes the 1er Cru Maranges ‘Les Clos Roussots’ ($33). The vineyards here have south and southeast exposure and are mostly blue-clay soils with some limestone. This red-fruited wine is forward and easy-drinking, with noticeable complexity in the raspberry-like finish.

We also have a few bottles left of the 2016 1er Cru ‘Le Clos des Rois’ ($30). These south- and southwest-facing vineyards contain a greater proportion of limestone, which gives this bottle ample structure and complexity. This wine has red-fruit aromas along with floral and spicy notes–simply delicious.

Of course, Paul Marcus Wines has dozens more notable Burgundy producers from which to choose. Let us help you explore the many delights of Burgundy. See you at the shop.

– Paul Marcus

Jacky Granges of Domaine de Beudon
Jacky Granges of Domaine de Beudon

Jacky Granges of Domaine de Beudon

Just last week we brought in two deliciously obscure wines from a tiny Swiss producer in Valais, which the importer alleges is accessible only by a dangerous-looking alpine gondola. Unfortunately, as I reached out for more information about these wines, I was alarmed to hear that Jacky Granges, the grower and winemaker who took over in 1971 and developed the vineyards to be fully biodynamic by 1992, had passed away in the short time between tasting his wines and their arrival at the shop.
Tragedy, however, makes them no less interesting or delicious. Instead, perhaps we can look on the brighter side and consider the liveliness of his wines as an opportunity to experience a small sliver of existence upon the mountaintop parcels of Domaine de Beudon, rife with medicinal herbs, livestock, and onsite hydroelectric power to create an oasis of grape-friendly agriculture.

Domaine de Beudon

Domaine de Beudon

The Wines

The notable absence of wooden barrels at Domaine de Beudon belied a depth of flavor and fine tannin that I usually associate with cold-climate, thin-skinned grapes like Pinot Noir and Gamay which comprise the majority of 2007 Vielles Vignes “Constellation” Valias Rouge. In addition, a small amount of Diolinor (an indigenous variety) is blended with the wine to give the bright bing-cherry flavors a bit more density. With the bottle age, indigenous yeast vinification, and cool, slow fermentation of grapes grown on granitic soil, a tough, rusty-ness holds the wine to the earth while the complex aromas slowly rise from the glass.

Similarly, the 2009 “Schiller” Valais Rose, which substitutes indigenous Fendant for the Diolinoir of the rouge, opens with a rich iron-like aroma, and continues through the palate with excellent acidity and fresh Rainier-cherry fruit intensity. Where the rouge is centered and earth-bound, the rose feels like a creaking swing set with enough lift and gravity to consider a full loop around.

Up and down with a tension born of high-altitude natural farming, the wines of Domaine de Beudon are excellent, but limited. We are fortunate to have these examples of artisan winemaking in our shop, and oh how far to slake this sacred thirst.

The Beginning of Edmunds St. John

In the early 1980s, Steve Edmunds was a mild-mannered postman, delivering mail in the Bay Area. But his friends knew that something was wrong. Steve’s dissatisfaction with the U.S. Postal Service was evident, and his wife, psychologist Cornelia St. John, suggested that he find a new line of work to maintain his sanity. Then, in 1985, it happened – that crazy, rash moment of terrifying impulsiveness that we all fear, especially in a loved one –Steve started a winery.

Steve’s version of going postal wasn’t entirely unexpected; he had long been a home brewer and winemaker, and before his stint with the U.S.P.S., he worked in the retail end of the wine trade. Over the years, a chorus of his friends, led by Cornelia, had encouraged him to make wine commercially. So, with Cornelia’s blessing and support, Steve founded Edmunds St. John winery.

Steve was one of the first California winemakers to focus on Rhône grape varietals like Syrah and Mourvèdre. He was one of the earliest and remains one of the most vocal proponents of terroir in California–of making wines that express as vividly as possible the place where the grapes are grown. In March and April, the crew at Paul Marcus Wines had the pleasure of getting together with Steve over meals to discuss his winemaking and enjoy many of his currently released wines.

Wine Made For Food

The fun began when Paul Courtright and I joined Steve for lunch at Grasshopper on College Avenue. When we asked Steve how he did things differently than many other California winemakers, he responded: “It’s about balance. The wine shouldn’t push the food off the table. Wine should invite you to eat – and to drink more!”

And so we did. Steve popped the corks on his 2000 Pinc Froid (a rosé made from Nebbiolo grapes) and 2001 Los Robles Viejos White (a blend of Rhône white varietals – Roussanne, Viogner, and Marsanne – all grown in the Rozet Vineyard near Paso Robles) as our waiter delivered fried calamari and peanut chicken salad.

Steve explained that the first thing he did when he decided to make wine commercially was to taste a lot of wine to find out what exactly he wanted to make. During this oenological odyssey, he found that the wines he kept coming back to were from southeastern France and northern Italy. At the same time, he read some articles about carbonic maceration, a traditional southern French winemaking technique that can yield wines with more distinctive aromas and delicate flavors. He also read an article by Robert Mayberry, author of the book Wines of the Rhône Valley: A Guide to Origins. Mayberry suggested that someone find some old-vine Mourvèdre, Carignan, and Grenache in California and make a Côtes-du-Rhône style wine using carbonic maceration and neutral (i.e., not oaky) aging vessels.

An “Aha” Moment

These enticing but discrete hints came together for Steve when he tasted a 1983 Qupé Syrah during a meal at Chez Panisse. (In those days, California Syrah was about as common as vineyard-designated California Cabernet.) Steve describes this as his “aha” moment: “I realized that someone could make good California wine from Rhône varietals. There were too many signs from the universe that I should do this.”

As our 12-spice pork ribs arrived, Steve paused to open his 2001 California Syrah and then continued his saga. Syrah was to play a large part in Steve’s future, and he, along with others like Bob Lindquist of Qupé and John Alban of Alban Vineyards, helped put Syrah on the map in California. But Steve was at least as captivated by Mourvèdre, the primary varietal in Bandol rouge and an important supporting player in Châteauneuf-du-Pape and other southern Rhône reds. The trick back in the mid 1980s was finding any Mourvèdre (or Mataro, as it was known to California grape growers).

Choosing a Vineyard

After much fruitless searching, in 1986 Steve discovered the Brandlin Ranch on Mt. Veeder above Napa Valley. Richard and Chester Brandlin were growing old-fashioned grape varietals using old-fashioned techniques that respected the soil and the plants. Steve snapped up the small amount of Mourvèdre that they were growing and used the grapes to make the best wine of his second vintage, in 1986. As Steve proudly points out, François Peyraud of the famous Bandol producer Domaine Tempier said of this wine when he tasted it, “la terre parle” (“the earth speaks”).

Since then, Steve has reprised this combination of serendipitous grape sourcing and skillful, minimalist winemaking many times. We asked him how he thinks about the process of making a great bottle of wine.

Steps To Producing Great Wine

First is the place – the fruit source. Steve described his job as “finding places that create distinctive grapes”. He’s concerned about the appropriateness of the grape varietal to the site, of course, but he’s looking for more than mere appropriateness; he wants sites that demonstrate a particular, unique character. Steve has managed repeatedly to unearth great, distinctive vineyards that are farmed by people who really know and care about their land.

Second is picking fruit at optimum ripeness rather than hyper-ripeness. As Steve said of winegrowing in the balmy California climate, “you’ve got power; you don’t need to do anything to generate power”. In fact, you need to ensure that you don’t let this natural advantage turn into a freakish caricature. Steve works with his growers throughout the season, tastes the grapes every week, and then leads the harvesting when he determines that the grapes have fully developed their flavors without losing their fresh acidity.

Letting Nature Take The Reigns

And finally, Steve says his job in the winery is to “get out of the way”. In other words, he ferments the grapes and lets them turn themselves into wine with as little additional manipulation as possible. His youngest barrels are 13 years old, so there’s no oak obscuring the distinctiveness of his grapes. He eschews high-tech gear and instead uses old-world winemaking techniques that preserve and accentuate terroir.

The most exciting manifestation of all of this theory at the moment is in Steve’s new Los Robles Viejos wines from the Rozet vineyard west of Paso Robles, in San Luis Obispo County. In addition to the white wine mentioned above, there’s Los Robles Viejos Red – a blend of Mourvèdre, Syrah, Grenache, and Counoise from the Rozet vineyard. Some of the grapes also find their way into his ever-popular Rocks and Gravel – Grenache, Mourvèdre, and Syrah blended from vineyards in Mendocino, El Dorado, and San Luis Obispo Counties. Steve is particularly enthusiastic about the Mourvèdre from Rozet: “We’ve harvested grapes for three years now, and each year the Mourvèdre is the best. It makes a wine that has a distinct identity.”

The Châteauneuf challenge

Although Steve strives to make wines that speak of where they’re grown – which is to say, specific vineyards in California – his models are the wines of the northern and southern Rhône in France. While California wines have plenty of power and luscious fruitiness, many of them lack the specificity, subtlety, complexity, and food-friendliness of their European models. In a friendly challenge to the two best appellations in the Southern Rhône, Steve put his Rocks and Gravel and Los Robles Viejos Red up against several excellent wines from Gigondas and Châteauneuf-du-Pape. Most of the staff of Paul Marcus Wines got together with Steve for a tasting and dinner at my house in Oakland. We were joined by Keven Clancy, the representative from Estate Wines Ltd. who sells us Edmunds St. John wines, and Patrick Comiskey, Senior Editor of Wine and Spirits magazine and columnist for the San Francisco Chronicle’s wine section.

All of us knew that we were tasting 2000 vintage Edmunds St. John, Gigondas, and Châteauneuf-du-Pape wines, but we didn’t know the specific identities of the wines, and we carried out the tasting blind (that is, the bottles were covered up until after we’d tasted and discussed them). The “Gigondas flight” of wines comprised the Edmunds St. John Rocks and Gravel, Domaine de Font-Sane Gigondas, and Château du Trignon Gigondas. The “Châteauneuf flight” contained four wines: Edmunds St. John Los Robles Viejos Red and Châteauneuf-du-Pape from Clos des Papes, Vieux Télégraphe, and Domaine Pierre Usseglio & Fils.

Testing The Wines

In both flights, Steve’s wines showed themselves as worthy peers of their French brethren. Neither of his wines stuck out as being obviously Californian – our guesses about which wine in each flight came from California frequently were wrong. Nor did Steve’s wines seem simpler or less food-friendly than the others. (After the analytical phase of the tasting, we tucked into a big pile of grilled meats and sausages.)

As I look back over some of our notes from that evening, my central impression is that all of the wines sat comfortably at the table as peers. We quickly moved beyond the “spot the California wine” game to more interesting questions of how each wine distinguished itself in terms of floral, animal, spicy, sappy, tannic, and acidic qualities. All of these were wines worth drinking and cellaring, wines that invited us to eat (and to drink more!), wines that made our evening together a finer one.

But wait, there’s more!

Steve is a man of many talents. Besides making great wine, he’s an accomplished singer-songwriter and an inspired writer. To verify the latter claim, visit edmundsstjohn.com and check out any of his newsletters. Then subscribe to the organolepticians, which grants you the privilege of receiving his future newsletters via e-mail. You’ll hear about, among other useful things, the annual Edmunds St. John Post-Harvest, Pre-Holiday shindig in December, which is always fun and tasty. The Edmunds St. John Web site also describes Steve’s CD Lonesome on the Ground, which we have available for sale in the store.

Note: Steve is also the the object of an article by Patrick Comiskey that was published in the San Francisco Chronicle’s wine section on Thursday June 12, 2003.

PMW California Favorites

2000 Pinc Froid ($10.99)

This wine is almost too much fun. It’s rosé from Nebbiolo grapes, in the style of a northern Italian rosato from Piemonte. The wine is full-flavored, minerally, dry, and just a touch smoky. It’s a great aperitif and sit-out-on-the-deck-with-friends wine. It adds an increment of pleasure to any barbecue. And it goes perfectly with 1970s album-length rock songs.

2001 California Syrah ($18)

Here’s one of the great bargains in California wine – a sophisticated but friendly Syrah for under twenty bucks. It’s medium-bodied, supple, clean, and just fruity enough without being excessively grapey. Like all of Steve’s wines, the California Syrah plays well with a wide range of foods. We’ve enjoyed it with grilled meats and even not-too-sweet Asian dishes.

2000 Los Robles Viejos White and Red ($25 each)

If you want to know what terroir is about in California, then you’ll want to drink and cellar these Southern Rhône style wines from the Rozet Vineyard in San Luis Obispo County. And even if you don’t care about terroir, you’ll want to drink these wines because they’re just so damned delicious! Rich Roussane sings the main melody in the white wine, while meaty Mourvèdre forms the backbone of the red. It would be hard to find a better match than these wines for southern French cuisine and Mediterranean-inspired California dishes.

Sky Vineyards

1999 Zinfandel ($25)

Sky makes our favorite Zinfandels year in and year out. This is artisanal wine at its best. Winegrower Lore Olds and his daughter Maya tend their vines just below the crest of Mt. Veeder and make their wine by hand. Sky Zinfandel has plenty of lip-smackingly luscious fruit, but unlike a lot of other Zinfandels, this one is sophisticated, balanced, and a great complement to food. It also ages magnificently – we recently had the pleasure of drinking the 1989 and 1990 vintages up at Sky. So get a few bottles for now and a few more to stash in your basement or closet. You won’t regret it now or later.

Babcock

Brian Babcock’s 2001 Santa Barbara County Chardonnay ($16.50) is one unbelievable wine for the money. It’s one of our biggest sellers – not too oaky, but with plenty of richness and length on the palate. This is a “go to” wine, meaning that it’s a wine for anyone just starting out and a screaming deal for everyone.

Palmina

We don’t normally get excited about Italian-style wines made in California – the Italian originals usually are better wines and better values. But we are excited about the wines that we just started carrying from Palmina in Santa Barbara County. Steve Clifton, of Brewer-Clifton Chardonnay and Pinot Noir fame, is the owner and winemaker.

The 2002 Bianca ($21)

This is a blend of Traminer, Sauvignon Blanc, Malvasia, Tocai, and Pinot Grigio. Here’s Chad’s inimitable description: “Sumptuous honeyed notes revolving in perfect circles around further perfect circles of melon and fig. A spicy gasket of viscous cinnamon and nectarine all supported by vibrant acids and perfect balance! Wow. This is an intellectual’s entry back into the wonderful world of stuff. Wonderful stuff.”

The 2000 Nebbiolo ($32)

Coming from the Stolpman vineyard in the Santa Ynez Valley, this wine leans towards the floral side of Nebbiolo – violets, rose petals, cherries, and a little cedar – and displays that classic Nebbiolo combination of power and elegance. Serve it with braised or roasted meats or simply with a nice piece of aged Parmigiano Reggiano.